Haiku Society of America

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Haiku Society of America Haiku Award
in Memorial of Harold G. Henderson

2023 HSA Haiku Contest
Judged by
Brad Bennett & Caroline Skanne
See 2023 judges' comments

~ First Place ~

milkweed husks
the dusk greens
with dragonflies

Joshua Gage, OH, USA

 

~ Second Place ~

moonlit shallows . . .
     horseshoe crabs appear
          from deep time

Scott Mason, NY, USA

 

~ Third Place ~

unable to fit it
on one sketchbook page
the young hawk’s circle

paul m., Florida, USA

~ Honorable Mention ~

where the bufflehead
entered dark water
bubbles of light

John Barlow, Ormskirk, UK

 

~ Honorable Mention ~

one log left
beside the log-splitter
a sliver of moon

Temple Cone, MD, USA

 

~ Honorable Mention ~

desert dawn an ash-throated flycatcher

M F Drummy, CO, USA

 

~ Honorable Mention ~

maple stump
the sky still holding
the old treehouse

Jacquie Pearce, BC, Canada

 

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Haiku Society of America
Haibun Awards

2023 HSA Haibun Contest
Judged by
Marilyn Ashbaugh & Sean O’Connor
2023 Judges Commentary

2023 First Place:

by Dru Philippou, NM, USA

Pilgrimage

On my way to Fuji-san, I stop by a bakery and buy their specialty tribute bread, made from the finest ingredients: Yamanashi wheat flour, Fujigane Kogen milk for its velvety richness, and Kyoho grape juice for sweetness and color. I slice through the loaf and see a striking blue-and-white rendition of the mountain. Biting into its pillowy softness, I think of the fabled Princess Kaguya, who gave the Emperor a vial containing the elixir of life before she left for home on the moon. Unable to live without her, the Emperor ordered his warriors to burn her farewell offering on the highest mountain, giving it the name Immortal. On a day like this, it could live forever.

shining through
the morning mist . . .
Fuji’s many paths

the wind of Mt Fuji
I’ve brought on my fan
a gift from Edo

Note: The haiku in italics is by Basho, translated by Etsuko Yanagibori.

~ ~ ~

Second Place:

by Alan Peat, Staffordshire, UK

Corpse Way*

On this long, flat stone — the first of six where the dead were rested — I am sat with my dad, watching crows. Not crows in flight, but walking crows, the ones that move between sheep with that slow, yet determined gait, enlivened now and then with a fluttering hop. This is our regular stop: for tea and biscuits as the views open up.

dawnlight —
with no map or compass
our whole day ahead

A wicker coffin to lighten the load. Too poor for a horse and cart, his neighbors will carry him — sixteen hard, winding miles from Keld to Grinton — over tree roots, across flowing water, then up to the high ground, far from hushed hamlets, where the living might tempt a dead man back. And when they reach St. Andrew’s lichgate, the old warden will lift the lid and, if his body is wrapped in wool cloth, his bones will be fit for the consecrated ground.

less trodden path —
the unpicked berries
black and shrunk

On the last of the coffin stones I am sat quite alone. It is a fine spot to rest in the gentle lower dale, in the heart of its patchwork of drystone-walled grass. The church door marks the end of my walk. I will pass through it soon enough, but for now I am content to stay seated; happy to listen to the lapwings’ calls.

unmoved for so long —
the yew tree I climbed
as a boy

*Corpse Ways are medieval paths that remote English communities walked to the closest consecrated burial ground.

~ ~ ~

Third Place:

by Barbara A Sabol, OH, USA

Kintsugi

Wide open at thirteen. It was a year of blood, of trying to fit into a bewildering body. On the doorstep of summer break, I was itching for freedom. As I pulled on my wool uniform, thoughts of sleeping late, running wild ’til the streetlights came on ... . The news of Bobby’s death rang from the transistor on my dresser. I fell back onto the bed as our house plunged off its foundation. I refused to go to school. Diagrams and fractions suddenly meaningless. Catechism, more than ever, hollow rote.

I had had my schoolgirl crushes, my disappointments. This was a different kind of heartbreak. A rip in the seam of the world I was just getting to know.

bird bone flute
the hollow sound
wind makes

What I remembered about his brother’s assassination five years earlier was that it made my impassive mother cry for days. Then the never-ending funeral procession on television. Otherwise, my childhood world remained intact. That was the same year my uncle fell from a ladder and lay for the rest of his days staring at the ceiling in the Veterans Hospital.

But mom still put dinner on the table every day, dad kept going to his job at the mill, and I would learn how to find a common denominator that bound together fractured things.

lightning-split redbud
and yet
blossoms

~ ~ ~

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Haiku Society of America Rengay Award
in Honor of Garry Gay

2023 HSA Rengay Contest
Judged by
Marcyn Del Clements & Seren Fargo
Judges Commentary

2023 First Place

 

Yellowing Maple

Japanese garden—
the emptiness
of the teahouse

grass in the cherry orchard
wet with dew

stepping stones . . .
different languages
in the air

hungry koi —
the moonbridge crowded
with children

the calligraphy
of pine branches

a turtle sunning
at the pond’s edge—
yellowing maple

Ion Codrescu 1, 3 & 5
Michael Dylan Welch 2, 4 & 6

~ ~ ~

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